Fine Arts Department 2007-2008 Theatre Season |
Fortinbras
By Lee BlessingOctober 4 - October 7 |
Described by playwright Lee Blessing as a “metaphysical
farce,” this comedy picks up where Shakespeare’s Hamlet left off.
Fortinbras, a character so minor in Shakespeare’s tragedy that he is
often eliminated in many performances, arrives to find the entire Danish
royal family dead (they become very interesting ghosts) and himself as
the new ruler of Denmark. One of Time’s Ten Best Plays for 1991,
Fortinbras is relevant to today’s political climate, cleverly posing
questions about authority and leadership.
Directed by Clay Kirkland |
The Runner
Stumbles
By Milan StittNovember 8 - 11 |
A young nun dies under mysterious circumstances and her
superior, Father Rivard, is charged with her murder. Through
interrogations, testimony and flashbacks, we see the circumstances that
lead to their unusual relationship, and ultimately, the murder of Sister
Rita. In an explosive and surprising climax, the extent of their
relationship, as well as the sacrifices they make, becomes clear as the
identity of the murderer is revealed.
Directed by Nicki Blowers
|
How To Succeed in
Business Without Really Trying
Book by Abe Burrows, Jack Weinstock,
and Willie GilbertMusic and lyrics by Frank Loesser
February 28 - 29
March 1 - 2 |
Long before The Office and
Office Space, this delightfully irreverent musical satirized big
business by following the rise of J.Pierpont Finch, a lowly window
washer who climbs the corporate ladder by relying on a how-to-book
entitled How to Succeed in Business Without Really Trying. Enjoy the
adventures of this sly anti-hero and a variety of quirky characters as
they encounter workplace nepotism, a wild office party, backstabbing,
caffeine addiction, and of course, true love.
Directed by Zachary Bloomfield with music direction by Sue Malmberg. |
Frozen
By
Bryony LaveryApril 17 - 20 |
With a breathtaking
script, Frozen introduces us to a serial killer, the mother of one of
his young victims, and a psychiatrist conducting research on the
criminal mind. Singularly and collectively, these three characters
allow us to examine the human capacity for forgiveness, remorse, and
change. Winner of the 1998 Barclay Award (UK) for Best New Play and
2004 Tony Award Nominee for Best Play.
Directed by Clay Kirkland
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